TRINKLE KANSAS CITY JAZZ UPDATE
Once again, there's another business who can't update information on a website-so why have the website in the first place?!! That's probably the real reason why I'm angry. Just as absurd as this policy is, it's not posted on The Phoenix website. was performing as a teen, there were "LIABILITIES!!!!" Alcohol to minors-no exceptions-even to families of a 14 year old and a 12 year old who were allowed to eat just a few hours earlier at the same premise.-Why should teens actually enjoy jazz!!! They shouldn't, should they!! The person also implied that before April 1st, at least some kids were allowed after 3:00 in the afternoon-which is mind blowing to think, because wasn't before April 1st when COVID was a bit more dangerous? You know kids will be all over the place, and we can't chance that. So, I asked what kind of "LIABILITY." Answer: COVID. However, we weren't admitted in because of "LIABILITY." Us old folks might have a couple of drinks and all of us were planning to sample some cheesecake as we were going to listen to a singer who has performed on Broadway. We did a couple of touristy things and we cut one of them a bit short so we could be back by 4:15 for the 4:30 performance. I'm a bit sarcastic because of the second aspect of The Phoenix. The band was fantastic and the food was delicious!1 My 12 year old son WAS ALLOWED (by the owners & staff) to even eat a sophisticated meal like the crab cake florentine benny!!!!! We traveled across the state for a fun-filled weekend. Notables of Kansas City jazz include pianists Pete Johnson and Mary Lou Williams, singer Big Joe Turner, trumpeter Oran “Hot Lips” Page, saxophonists Jimmy Smith, Buster Smith, Ben Webster, and Lester Young, bassist-bandleader Walter Page, saxophonist-bandleader Andy Kirk, and pianist-bandleaders Bennie Moten, Jay McShann, and Count Basie.This is a tough review because it's 2 reviews in one. Hammond discovered Kansas City talent in the shape of Count Basie.
Kansas City jazz burst on to the national scene in 1936 when record producer John H. Just six blocks to the south, jazz also flourished at 18th & Vine, which became nationally respected as the epicenter of the city’s African American community. At its height, 12th Street was home to more than fifty jazz clubs. Kansas City’s 12th Street became nationally known for its jazz clubs. A saxophone player named Charlie Parker began his ascent to fame here in his hometown in the 1930s. Legends like pianist-bandleader Count Basie, saxophonist-bandleader Andy Kirk, singer Big Joe Turner, trumpeter Oran Thaddeus “Hot Lips” Page, and pianist-bandleader Jay McShann all played in Kansas City. At one time, there were more than 100 nightclubs, dance halls, and vaudeville houses in Kansas City regularly featuring jazz music.
Only in Kansas City did jazz continue to flourish during the Depression. This “wide-open” town image attracted displaced musicians from everywhere in mid-America.
During prohibition, he allowed alcohol to flow in Kansas City. Kansas City jazz flourished in the 1930s, mainly as a result of political boss Tom Pendergast. By the mid-1920s, the big band became the most common. In the early days, many jazz groups were smaller dance bands with three to six pieces. In fact, the city’s first jazz recording by Bennie Moten in 1923 was “Evil Mama Blues.” Settings such as dance halls, cabarets, and speakeasies fostered the development of this new musical style.
Blues singers of the 1920s and ragtime music greatly influenced the music scene, evolving eventually to Kansas City jazz-a new kind of blues that jumped with a jazz sound. Blues formed the basic vocabulary for KC-style jazz. Kansas City is world-renowned for its rich jazz and blues legacy.
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